The 90s saw him as the absolute star of black and white in a decade that made black and white its pride and joy, and the minimalism used in clothing was perfect as the protagonist of photographs which were minimalist by definition. He would shoot deliberately subtle black and white images, with models wearing very little make-up and their hair almost disheveled, clothes – although haute couture – always casual and photographed in unexpected places like dusty caves, windy winter beaches, deserted palaces falling into pieces, or in his studio with only strictly black curtains and flaking walls that peeped out from the sides. In the late 1980s, a young Peter Lindbergh entered this reality from Germany and became known for a kind of genre of images far-removed from the stereotypes of the decade of power dressing and color photography.
Peter Lindbergh is undoubtedly one of the greatest photographers who has ever appeared in a world so needy of innovation like the fashion world, yet, one that so easily gets used to things and gets bored if it does not perceive a perpetual change and a vision that looks towards the future.
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